With a clean, dry Blending Brush, cover your canvas with a very thin, even coat of Magic White. Use heavy pressure while making long, vertical and horizontal strokes. Work back and forth making sure the paint is evenly distributed over the canvas
Gently tap the canvas with your fingertip. The Magic White is correctly applied when the paint appears only on the ridges of your finger, like a fingerprint. If too heavily applied, remove excess paint with a clean, dry blending brush.
Using a clean, dry Blending Brush, very lightly touch the bristles into the Blue Tint mixture. This very thinly applied color tint provides the base color for the sky and water.
Apply the paint in short, crisscross strokes to create just a tint on the top 1/3 of the canvas. Begin at the top and vary the pressure as you move down your canvas. This will create a realistic background for the illusion of breaks in the clouds. Leave a lighter area where the sun will be.
With your dirty Blending Brush, add a touch more Prussian Blue and Ivory Black to the Blue Tint mixture to create a dark base for the water area. Pull downward beginning at the bottom of the Sky Tint.
In the water, use a clean, dry Blending Brush to lightly pull dark color into the light area with horizontal strokes to create the illusion of water surface.
Clouds may be placed anywhere you desire. Feel free to use your imagination or to follow the example. Hold your Fan Brush loaded with the Clouds Mixture, firmly, about 3 or 4 inches up the handle. Holding the brush perpendicular to the canvas, firmly press the bristles of the brush into the canvas, starting in the sun area. Using heavy pressure, turn, twist, and bounce the brush across the canvas to create fluffy clouds. Clean and reload your brush as needed. and bounce the brush across the canvas to create fluffy clouds. Clean and reload your brush as needed.
Reload with the Clouds Mixture. Placing your brush at the top of the light water area, directly under the sun, pull down, adding a vertical streak of light color where the sun reflects into the water.
To create rays of sunlight breaking through the clouds, place your clean, dry Blending Brush in the center of the sun and pull downward with one stroke. If you desire more rays, clean your brush between strokes, reloading with the Clouds Mixture, as needed.
Make a Mountain Base mixture of Titanium White, Prussian Blue, Alizarin Crimson, and a touch of Ivory Black. The base color defines the shape of your mountains. The highlights and shadows will be added later to create the illusion of detail and texture.
Holding the long, working edge of the knife nearly flat against the canvas, with the handle in a downward direction. Apply the paint with a lot of pressure.
Since the light source is coming from the area to the right of center in this painting, the highlights will be on the side of each peak facing the sun. Load the Palette Knife with a ribbon of the highlight mixture.
Using very little pressure and following the contour of the peaks, pull the knife down the mountain. Let the paint pull off the knife to create the illusion of texture.
With a ribbon of the Shadow Mixture on the long, working edge of the Palette Knife, add shadows on the left side of the peaks to the left of the sun following the same procedure. Start at the top of each peak and lightly pull downward and to the left.
The Tree Base color defines the general shape of the distant trees. Load your clean Foliage Brush with a generously to a chiseled edge by pulling both sides through the paint.
With the bristles horizontal, gently tap the brush to establish the distant shoreline which is about 1/3 of the way from the bottom.
Reload to a chiseled edge. Hold the brush at a 45-degree angle with the chiseled edge vertical. Touch the canvas gently with the edge where you want the top of the large tree on the right to appear.
Reload to a chiseled edge. Hold your brush horizontally. To create foliage, start at the top of the tree. Lightly tap the brush into the canvas just enough to bend the bristles, lifting the brush away from the canvas with each stroke.
Gently tap in to illusion of small trees and bushes on the distant shoreline with the loaded brush. Vary the position of the bristles from horizontal to vertical to horizontal.
Reflect the highlight colors in the water by lightly pulling downward from the shoreline with the Foliage Brush loaded sparingly with the Tree Highlights mixture.
Load your Palette Knife with a ribbon of Titanium White and lay in the illusion of highlights on the distant shoreline. Hold your Palette Knife with the handle at more of a downward angle. Touch and pull horizontally.
Then, re-load your Palette Knife and slice in the illusion of water lines. Keep the lines parallel to the bottom of the canvas to give the water a level appearance.
Establish the location of the shoreline on the closer land to the left which is about 2/3 the way up to that of the distant shoreline. Tap in some level land with the Tree Base color on the Foliage Brush loaded to a chiseled edge as you did before.
The large trees may be placed anywhere you desire. Feel free to use your imagination or to follow the example. Start by loading your Foliage Brush, once again, to a chiseled edge with a generous amount of the Tree Base color. Tap in the centerline of each tree as you did before with the bristles held vertically.
Cut in some indications of tree trunks and limbs with the Palette Knife in the dark areas of the trees and bushes. Use the point of the knife to scratch right down to the bare canvas. Don’t put in too many.
Then, slice in the illusion of water lines with a ribbon of Titanium White on your Palette Knife. Keep the lines parallel to the bottom of the canvas to give the water a level appearance.
Thin a color of your choice and proudly sign your painting with the Script Liner Brush.
شهد الورد
عدل سابقا من قبل ŞĦДĤĘḐ ДĻฟДŖḐ في 7/3/2011, 12:31 am عدل 1 مرات
ŞĦДĤĘḐ ДĻฟДŖḐ صاحبة ومؤسسة المنتدى
الأوسمة : :
موضوع: رد: درس رسم منظر طبيعي لشتاء بحيرة 7/2/2010, 1:45 am
شرح الرسم بالسكين .
الرسم بالسكين :
أنها احد الطرق التي يستخدمها الرسام ولها ميزة في المحافظة على الألوان الزاهية , كما انه لا يمكن استخدام هذه الطريقة في الرسم لنحصل على تفاصيل دقيقة مثلما نقوم برسم بواسطة الفرشاة .
وإنما الطلاء بالسكين يسمح للرسام بالاتساع في التلوين وتجسيد العمل مثلما ما تلاحظون في رسم الجبال فأنها تجعل العناصر المرسومة اقرب للحقيقة وإبراز جمال اللوحة ,
ويستخدم في عملية الطلاء بالسكين الكثير من الطلاء , ويستحسن اختيار الكثافة اللونية طبقا للموضوع وحتى يتحقق ذلك يستخدم حد السكين أكثر من طرفها .
ونجد استخدام السكين في المدرسة الانطباعية .
أتمنى أن أكون قد فدتكم في الشرح . شهد الورد
ΜԾՄŖĤẴ₣ ДĻĘĤŞДŞ الاداري المتميز
الأوسمة : :
موضوع: رد: درس رسم منظر طبيعي لشتاء بحيرة 6/10/2010, 5:13 pm
السلام عليكم ورحمة الله وبركاتة
يسلموووووووو يا احلى شهوده موضيعكـ دائمأ في القمه
لا تحرمينه من جديدك دامكـ الـــلــه بيكل الخيرررر
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ŞДŁΜД عضوة متميزة
الأوسمة : :
موضوع: رد: درس رسم منظر طبيعي لشتاء بحيرة 15/11/2010, 12:20 am
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